2026 – Athens, Greece
Digital Report, Presentation
Graphic Design in collaboration with Christian von Stebut (Senior Designer at Carbonfuture)
Together with Christian von Stebut, I designed a series of digital guides for Carbonfuture.
Drawing on my previous editorial experience in magazines, I translated plain documents into magazine-inspired guides, influenced by the design quality of reports such as Watershed and Patch.
2026 – Athens, Greece
Visual Identity, Logo
Graphic Design and Art Direction
A visual identity for Aether Art Space, a contemporary art space in Athens connecting Greek and Taiwanese cultures.
The identity is built around the idea of Aether as an invisible medium that connects things — a space between the visible and invisible, earth and sky, and different cultures. The logo brings together the Latin wordmark AETHER with the Chinese characters 以太, creating an intersection between two writing systems and two cultural perspectives.
Typography, spacing and negative space become structural elements of the identity, expressing connection, balance and the space in-between.
2026 – Athens, Greece
Book Design, Editorial
Graphic Design and Art Direction
Designed and produced Onighiri, a 120-page publication developed as part of The Gap Project, an international interdisciplinary project supported by the Bauhaus-Universität Weimar, Pola Art Foundation, The Asahi Shimbun Foundation and Airthium.
Working closely with Elena Rădoi and Satoshi Kawata, I developed the book's layout bringing together essays and contributions from a diverse community of collaborators.
The design reflects the project's collaborative and experimental nature while maintaining clarity, rhythm, and consistency throughout.
2024 – Berlin, Germany
Website, Digital, Web Design, Figma
Development in collaboration with Studio Philipp Blombach
A redesign of BERNSTEIN Tools’ digital presence, focused on creating a clearer and more intuitive online shopping experience for a brand built on precision and craftsmanship.
I designed the website in collaboration with creative director Philipp Blombach, working across UX/UI and e-commerce. The design direction draws on functional clarity, considered typography, and intuitive navigation, translating the brand’s technical character into a contemporary digital experience.
2024 – Berlin, Germany
Website, Digital, HTML/CSS
Development in collaboration with Studio Philipp Blombach
Frontend development for the redesign of BigSun's website. BigSun is an independent creative agency based in Berlin and Düsseldorf, specializing in digital transformation and film production.
2022 – Berlin, Germany
Editorial Design, Climate Action, Print Publication
29 × 20.5 cm — 72 pages
Graphic Design and Art Direction in collaboration with Marika Lorenzato
Published by FairPlanet.
This project marks the redesigned final edition (issue 13) of THE BEAM, a free, independent magazine dedicated to climate solutions and environmental action.
The new visual direction adopts a bold, protest-inspired aesthetic with a guerrilla sensibility, reflecting the urgency of the climate crisis. The layouts are deliberately raw and dynamic, evoking grassroots activism and collective resistance. This issue focuses on carbon capture techniques as a means to reduce atmospheric CO₂, with the cover conceptually centered on the mission to ‘erase’ CO₂, both visually and metaphorically.
2020 – Berlin, Germany
Editorial Design, Print, Literature & Art Journal
14.8 × 21 cm — 117 pages
Concept, Design, and Art Direction
Design for the 21st issue of SAND Journal, a biannual magazine rooted in Berlin’s international creative community. SAND features a curated selection of literary and visual works by writers, translators, and artists from around the world.
Founded in 2009 by Becky Crook, the journal celebrated its tenth anniversary in 2020 by declaring it the 'year of archaeology.' This issue is the first to feature illustrations accompanying the poems. For this edition, I commissioned Célestin Krier, whose work, shaped by archaeological and antique artifacts, perfectly complements the theme and direction of the issue.
2020 – Berlin, Germany
Editorial Design, Literature & Art Journal
14.8 × 21 cm — 148 pages
Concept, Design, and Art Direction
Design of the 20th issue of SAND Journal, a nonprofit, biannual literary and art publication based in Berlin. Since its founding in 2009, SAND has built a reputation for showcasing bold, original work by writers, poets, translators, and visual artists from across the globe.
With a strong commitment to diversity, this issue continues the journal’s mission to spotlight underrepresented voices—particularly work by women, LGBTQ+ creators, and artists from marginalized regions. The editorial design supports this ethos through a thoughtful, accessible layout that gives space to a wide range of perspectives while maintaining a cohesive visual narrative.
2018 – Berlin, Germany
Editorial Design, Climate Action, Print Publication
21 × 29.7 cm — 170 pages
Concept, Design, and Art Direction
Design of the 7th issue of THE BEAM, a free and independent magazine dedicated to climate solutions and environmental action. Published in Berlin, THE BEAM amplified stories of innovation, resilience, and change—spotlighting projects and individuals making a tangible impact in the fight against climate injustice.
This issue reflects that mission through a design language that balances clarity with energy—translating complex topics into an accessible and visually compelling experience. THE BEAM was distributed to nearly 1,000 public venues, organizations, businesses, and individuals across 35 countries, serving as both a source of knowledge and a call to action.
2018 – Berlin, Germany
Editorial Design, Climate Action, Print Publication
21 × 29.7 cm — 170 pages
Concept, Design, and Art Direction
Design of the 6th issue of THE BEAM, a free and independent magazine dedicated to climate solutions and environmental action. Published in Berlin, THE BEAM amplified stories of innovation, resilience, and change—spotlighting projects and individuals making a tangible impact in the fight against climate injustice.
This issue reflects that mission through a design language that balances clarity with energy—translating complex topics into an accessible and visually compelling experience. THE BEAM was distributed to nearly 1,000 public venues, organizations, businesses, and individuals across 35 countries, serving as both a source of knowledge and a call to action.
2018 – Berlin, Germany
Editorial Design, Literature & Arts Magazine, Print
17 × 24 cm — 174 pages
Concept, Design, and Art Direction in collaboration with Lucia Alonso
Design of the 8th issue of Berlin Quarterly, a European review of long-form journalism, contemporary literature, and the arts. Known for its rich editorial depth and international scope, the magazine curates thought-provoking narratives, poetry, visual essays, and interviews from across the globe.
This issue’s design approach emphasizes quiet elegance and clarity, allowing the content to breathe while guiding the reader through a carefully structured editorial journey. The visual identity reflects the publication’s intellectual tone and cultural sophistication, reinforcing its role as a bridge between disciplines, languages, and perspectives.
2016 – Berlin, Germany
Editorial Design, Lookbook, Fashion, Print
Concept, Design, and Art Direction
Design of a fashion lookbook for Alla Lepnina, a Berlin-based fashion designer. The concept draws inspiration from Fathers and Sons, the classic novel by Russian author Ivan Turgenev. The visual direction explores themes of generational tension, identity, and transformation, mirroring the narrative’s emotional depth through photography, typography, and layout.
2012 – Athens, Greece
Food & Beverage, Branding, Packaging, Communication, Print
Participation at Red Design Consultants
As one of the largest supermarket chains in Greece, AB Vassilopoulos sought to refresh its own-label product range. At Red Design Consultants, we developed the branding and packaging for a series of 30 products, crafting a visual identity that emphasized the connection between nature’s produce and the consumer.
Drawing inspiration from the Greek landscape and Mediterranean nutritional values, the design strategy highlighted themes of authenticity, locality, and wellness—promoting the tradition of healthy eating while fostering a more personal relationship with the brand.
2012 – Athens, Greece
Poster, Noise music, Electronic, Retro
7 × 24 cm
Concept, Design, and Art Direction
This poster for noise musician Aglaia is always wrong combines analog media and raw human imagery to reflect the visceral, chaotic nature of their sound. A reel-to-reel tape and floppy disk underwear create a surreal, humorous take on identity and digital decay, echoing the noise genre’s disruptive aesthetic.
2011 – Athens, Greece
Brochures, Cover Design
13.5 × 20.5 cm — 71 pages
Concept, Design and Art Direction in collaboration with pi6
As one of the largest cultural institutions in Athens, Megaron – The Athens Concert Hall appointed pi6 communication design in 2010 to redesign its quarterly and annual event brochures.
Working closely with the studio team, we developed a series of brochures featuring a visual system where musical instruments came together to form expressive faces.
2011 – Athens, Greece
Poster, Print, Postcards
Concept, Design and Art Direction in collaboration with pi6
Poster and postcards designed in collaboration with pi6 to promote newly introduced Japanese Calligraphy courses at Siountri School – World of Languages. The design aimed to capture the essence of calligraphy as both a visual and cultural practice, appealing to students interested in traditional Japanese arts.
The idea behind the poster is to highlight the moment when ink leaves the brush—capturing both movement and stillness—and to reflect the calm, focused state that calligraphy brings, much like the balance of yin and yang.
2007 – Athens, Greece
Poster, International Poster Design Competition
50 x 70cm
I was awarded the first prize in the international competition "Ten Images for Ithaca", themed “Play,” selected from over 700 submissions by 465 designers across 35 countries.
The poster I designed looked at play as something both personal and shared. I used a simple, childlike visual style, inspired by Basquiat’s spontaneity, to create a balance between structure and freedom.
